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From: E. Sullivan <sullivaned_at_pop.mts.kpnw.org>
subject: [Paddlewise] Aleut superior designs
Date: Thu, 09 Dec 1999 09:10:38 -0800
Kev wrote:


If this is true, then why did the Aleut Eskimos build boats
with
multi-chine hulls? I would suggest they may have thought
multi-chine hulls
were better than rounded hulls, and I don't believe for a
second that they
didn't have the technology to build a smoothly rounded hull.
I am of the
opinion that they arrived on their classic baidairka design
after
centuries of rigorous testing that would rival anything that
we do today.
Note that I am not saying necessarily that multi-chine hulls
are more
efficient than rounded hulls, but I am saying that they
might  be better
in an overall sense. <unsnip>

I'm not sure how valuable centuries of rigorous testing are
when results are passed from generation to generation
verbally, and accurate means of measurement are lacking.
Seems to me the tendency would be not to fiddle for minor
changes in performance if you had something that worked
well. They had to paddle to eat, unlike the boatwrights on
this list who are fabulously wealthy and can afford to
tinker.



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From: Richard Kemmer <rkemmer_at_home.com>
subject: Re: [Paddlewise] Aleut superior designs
Date: Sat, 11 Dec 1999 01:04:36 -0600
> Kev wrote:
>
>
> If this is true, then why did the Aleut Eskimos build boats
> with
> multi-chine hulls? I would suggest they may have thought
> multi-chine hulls
> were better than rounded hulls, and I don't believe for a
> second that they
> didn't have the technology to build a smoothly rounded hull.
> I am of the
> opinion that they arrived on their classic baidairka design
> after
> centuries of rigorous testing that would rival anything that
> we do today.
> Note that I am not saying necessarily that multi-chine hulls
> are more
> efficient than rounded hulls, but I am saying that they
> might  be better
> in an overall sense. <unsnip>

A few years ago, I built a baidarka in a class at Superior kayaks, and it
took months for my fingertips to heal from lashing on the eight chines that
give the hull its shape.  In fact, all those chines give the hull exactly
the round shape Mike is talking about.  And because the skin depresses
somewhat around the keelson, the boat effectively has a shallow keel, which
makes for good tracking.  I suspect  the Aleuts did NOT make "rounded"
hulls -- by which I think Kev means "smooth" hulls -- because that would
have required either dugouts or slats over frames under skin.
Skin-over-frame construction offered a terrific blend of strength, design
verstatility, and light weight.  And it could be accomplished with the
materials at hand -- driftwood and skin.  That's the culture-ecology
argument:  adaption constrained by environmental factors.  If you want a
(purely specultative) notional explanation, consider that 1)  all humans
think analogically, and 2) the analog for the kayak may have been derived
from the very animals hunted in it.  A seal hunter may have "worn" the body
of a seal, reploicating its skeleton and skin.  After all, much prehistoric
technology is known to have begun as art and only later been adapted to
utilitarian purpose.  Can't prove what went on in the mind of an ancient
Aleut hunter, but mind games can be fascinating.
Rick









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From: Chuck Holst <CHUCK_at_multitech.com>
subject: RE: [Paddlewise] Aleut superior designs
Date: Mon, 13 Dec 1999 09:41:41 -0600
>>
After all, much prehistoric
technology is known to have begun as art and only later been adapted to
utilitarian purpose.  Can't prove what went on in the mind of an ancient
Aleut hunter, but mind games can be fascinating.
Rick
>>

Mmm... what are your sources on this? Seems to me it's been mostly the
other way around. Take, for example, the invention of writing. Sumerian
ideographs appear to have originated from tokens used for inventory and
accounting purposes; only later was writing used to record myths,
legends, history and poetry. In fact, the overwhelming majority of
documents unearthed in the Middle East are economic documents --
contracts and such. 

Chuck Holst
 








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From: Richard Kemmer <rkemmer_at_home.com>
subject: Re: [Paddlewise] Aleut superior designs
Date: Mon, 13 Dec 1999 23:28:58 -0600
Chuck,
For one interesting source, read the chapter entitled "Art, Technology, and
Science:  Notes on Their Historical Interaction" in Duane H.D. Roller (ed.).
Perspectives in the History of Science and Technology, Norman:  Univ. of
Oklahoma Press, 1971:129-176.  This reference discusses the peculiarly
western (Greek) dichotomy between matter and materials and contends that
artists have always been closer to the material aspects -- that is, things
known through their properties.  This intellectual dichotomy is the basis
for our current distinction between the scientist and the practitioner,
between the engineer and the carpenter.  Prior to the Greeks, the
distinction did not exist.

A couple quotes:  ". . .artists have had far more intimate and continuing
association with technology than they have had with science. . . .The
antecedents of today's flourishing solid-state physics lie in the decorative
arts."

I have not had time to look up the reference I wanted to send, but it
described the origins of metalurgy -- copper and bronze -- as occurring in
the use of metal oxides for glazing pottery.  As I recall the article, it
showed that the properties of these metals were eventually learned from
ceramics and applied to knives and swords.

Although art is thought of today as the symbolic expression of spiritual and
intellectual concepts, its origins are often in technology.  Ceramics is an
example.  Today a pot is often considered an expression of "art," but
pottery was once technology -- a very utilitarian device.

When I wrote that much technology began as art, I was thinking of the
development of swords from pottery glazes and was considering pottery as
art.  If you consider it as technology, I may have gotten the categories
backward.  Either way, it is probable that the kayak rose not from an
intellectually created design (science) but out of the builder's knowledge
of the materials (art) available for its construction. Since symbolism is
often expressed in art, it, rather than scientific logic,  may have been the
intellectual stimulus for the design.

Rick

> After all, much prehistoric
> technology is known to have begun as art and only later been adapted to
> utilitarian purpose.  Can't prove what went on in the mind of an ancient
> Aleut hunter, but mind games can be fascinating.
> Rick
> >>
>
> Mmm... what are your sources on this? Seems to me it's been mostly the
> other way around. Take, for example, the invention of writing. Sumerian
> ideographs appear to have originated from tokens used for inventory and
> accounting purposes; only later was writing used to record myths,
> legends, history and poetry. In fact, the overwhelming majority of
> documents unearthed in the Middle East are economic documents --
> contracts and such.
>
> Chuck Holst
>
>
>
>
>
>
>
>
>
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From: <Tomckayak_at_aol.com>
subject: Re: [Paddlewise] Aleut superior designs
Date: Tue, 14 Dec 1999 08:49:34 EST
In a message dated 12/13/99 9:29:58 PM Pacific Standard Time, 
rkemmer_at_home.com writes:

<<  Either way, it is probable that the kayak rose not from an
 intellectually created design (science) but out of the builder's knowledge
 of the materials (art) available for its construction. >>

Who has a better chance of success, one Aleut with 900 hours or 900 
paddlewisers with one hour together? 
We wouldn't get past the tow rope.
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From: 735769 <735769_at_ican.net>
subject: [Paddlewise] The Death of Art
Date: Wed, 15 Dec 1999 08:24:40 -0500
>
> <<  Either way, it is probable that the kayak rose not from an
>  intellectually created design (science) but out of the builder's
knowledge
>  of the materials (art) available for its construction. >>

Long ago when the caribou flowed across the tundra in great antlered waves
and the steam of their breathing raised clouds above the barrens that
hunters could see for miles, before the missionaries taught us to sin,
before the silent diseases of the white man broke our hearts with the frozen
bodies of our children, the elders sat in smoky igloos eating fermented
caribou paunch and argued for hours the merits impressionist soapstone
carving and the symbolism of bifid bows.

Long into the deep and oppressive night they raged stopping only to relieve
themselves in the snow where, a few nights later the constant and conquering
wind would leave small yellow pillars that children would kick through the
village as they laughed and pushed each other into the snow or speared
imaginary seals with child sized weapons for little hunters. And the elders
argued for they could no longer remember how the kayak came about or if it
was art or science but knowing only that it was gift from the Gods.

Older than the other children I would sit for  hours at the feet of the
elders as they droned out the tales of how Sedna taught them to make the
kayak and hunt the seals. How she led them to the willows and the driftwood
and taught them the secret wood and bone joints. With deft hands she skinned
the seals and showed the elders from long ago how to sew them together and
make the skins watertight. And she taught them to shape the ends like a fish
that would guide them on their journeys and to put eyes in the bow to see
through the fog. She showed them how to shape the back like the tail of a
bird that would carry them before the wind home safely to their families.

And Sedna told them, "Forget not what I have taught you or you will die.
Your children and wives will starve. Some day men will come in great winged
kayaks. They will have big words and will flatter you with many questions
and will go away and tell their families lies about you.   Soon they will
claim to know more about you than you know yourself and they will teach you
how to paddle and hunt and carve soapstone like you were little children and
knew nothing.  They will call it art. They will pretend you are great
artists and will feed you sweet tasting food and give you drink that makes
you crazy and soon you will want to be like them. And your teeth will fall
out so you cannot eat muktuk and you will forget how to hunt seal and
caribou and to build kayaks."

And Sedna told them, " Do not be deceived. You are the people. You live and
you die. Your art is in living not in your kayaks or trinkets. Everything
you do has a reason and a purpose. When you sit in your igloos and argue
about art you will know you will no longer be the people. You will become as
white men."

And the elders sat in the igloo eating fermented caribou paunch and arguing
if Sedna's words were true while the wind scoured their souls. My tongue
found a hole where a tooth used to be and I remembered how we no longer
hunted seals and saw only a few caribou this year. I thought about how we
bought our food at the store. Then I knew that only the white man has time
to argue about art and we  had become as white men.

And I saw a great bird of death soar across the sky.


John Winters
Redwing Designs
Web site address, http://home.ican.net/~735769




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From: Richard Kemmer <rkemmer_at_home.com>
subject: Re: [Paddlewise] The Death of Art
Date: Wed, 15 Dec 1999 08:03:30 -0600
John Winters Wrote:
> Long ago when the caribou flowed across the tundra in great antlered waves
> and the steam of their breathing raised clouds above the barrens that
> hunters could see for miles, before the missionaries taught us to sin,
> before the silent diseases of the white man broke our hearts with the
frozen
> bodies of our children, the elders sat in smoky igloos eating fermented
> caribou paunch and argued for hours the merits impressionist soapstone
> carving and the symbolism of bifid bows.
Etc.

What a great post!  John, where did you come across it?  If you created it,
it's magnificent.

Rick

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From: Jackie Fenton <jackie_at_intelenet.net>
subject: Re: [Paddlewise] The Death of Art
Date: Wed, 15 Dec 1999 11:22:42 -0800 (PST)
> From: "Richard Kemmer" <rkemmer_at_home.com>

> John Winters Wrote:
> > Long ago when the caribou flowed across the tundra in great antlered waves

<snip>


> What a great post!  John, where did you come across it?  If you created it,
> it's magnificent.
> 
> Rick


I strongly suspect that was John's.

In a word.... wow


Jackie

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From: Chris Kohut <chriskayak_at_earthlink.net>
subject: Re: [Paddlewise] The Death of Art
Date: Wed, 15 Dec 1999 22:07:39 -0500
Aye, I'll second that.
    There is an enchanting little book entitled Eskimo Island by Phillip and
Ellen Viereck (1962) that deals with King Island and King Islanders, and
Bearing Sea hunters, written by the  two teachers who ferried over to the island
with the migration of King Islanders from Gnome to hunker down for the winter
--ice bound and happy to be home once again. The book deals with a couple of
kids who free (momentarily) from scholastic burdens, beachcomb and find a
drift-find of a rowing boat half buried in the sand....and then their adventures
begin.    Kids, a boat, a bailer, a paddle, and entirely too much free time.
Sounds a bit like my own childhood.
    In this lovely little book the kids reject Gnome life with it's temptations
of the cinema and soda pop and the occasional drunken countrymen
sleeping/freezing on the street, and instead opt for learning their
grandfather's ways of hunting, fishing for salmon, and fending for themselves-
on King Island.  They ask the old man to teach the old ways that were rapidly
giving way to mainland life (if you call it that) that seemingly was overtaking
every aspect of their beleaguered lives. But the old folk hung on the the old
ways.....and these unlikely kids were their last hope.
    It is beautifully illustrated with ample four color woodcuts that depict
umiaks, walrus hunts, and one particularly pleasant scene in a men's communal
house where figures are stripped to the waist with only their muckalucks and
sealskin pants on-- one with a bow-drill in his mouth making a hole in a figure
he is carving.  Another sands a walrus tusk bird, three or four younger kids lie
on their stomachs on long boards hung above the artisans who are seated cross
legged on the floor, watching, and one commenting playfully, it seems.  To the
side there is a figure of an old man lying back with his fingers laced behind
his head looking up at the ceiling of the communal house eyes shut and
dreaming....or is he?
    Across this elder's stomach in the large red letters of a library stamp are
the words DISCARD Merced County (California) Free Library.  My wife rescued it
at a library sale some 15 years ago.   If not sold  by the second time around
they must be burnt.  So said the librarian.   No, sorry we cannot donate them to
your homeschool group or even your homeschool, they must be burnt.   (And all
this time I thought that only Nazis historically burnt books.)

    I read it to my children Eve and Justin a couple of times a year  as they
grew up,  and now to our two kids we adopted in California (who are yet little
and  with us yet) well- --maybe not so little, as the older ones got too big to
cuddle,  (these we are not feeding as much so as to slow the growing process).
    And now the first two have flown and nested down for  themselves, and have
given me grandbabies........ I bide my time.  I await.   I have my magical book
at the ready. Always. Always.
                                                            Chris

Richard Kemmer wrote:

> John Winters Wrote:
> > Long ago when the caribou flowed across the tundra in great antlered waves
> > and the steam of their breathing raised clouds above the barrens that
> > hunters could see for miles, before the missionaries taught us to sin,
> > before the silent diseases of the white man broke our hearts with the
> frozen
> > bodies of our children, the elders sat in smoky igloos eating fermented
> > caribou paunch and argued for hours the merits impressionist soapstone
> > carving and the symbolism of bifid bows.
> Etc.
>
> What a great post!  John, where did you come across it?  If you created it,
> it's magnificent.
>
> Rick
>
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From: 735769 <735769_at_ican.net>
subject: Re: [Paddlewise] The Death of Art
Date: Thu, 16 Dec 1999 06:29:36 -0500
Rick rote;

>
> What a great post!  John, where did you come across it?  If you created
it,
> it's magnificent.
>
I did write it. Don't tell the Professor though. He doesn't know about my
manic-depressive multiple pesonality disorder.

Cheers,

John Winters
Redwing Designs
Web site address, http://home.ican.net/~735769

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From: Doug Lloyd <dlloyd_at_bc.sympatico.ca>
subject: Re: [Paddlewise] Aleut superior designs
Date: Tue, 14 Dec 1999 22:53:33 -0800
Tom said:
<snip>
>Who has a better chance of success, one Aleut with 900 hours or 900 
>paddlewisers with one hour together? 
>We wouldn't get past the tow rope.

Tom, Tom, Tom,
We know we are are anal; why to you have to keep rubbing it in :-)

DL
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